How much did Disney pay the critics for all those gushing reviews? Either that or the art of film criticism has been lost. Remember that? Remember how they inspired a generation of loyal fans? Remember how they virtually saved cinema from terminal audience decline in the 70s? So scoot forward 40 years, and see the empty soulless rubbish lapped up by brainwashed Pavlovian audiences and critics.
Best of all? It’ll make you feel like a kid being introduced to something truly special once again.Star Wars movies used to be great. The Force Awakens reveals surprising connections, begins a few bromances, solves mysteries while digging up others, and sets a strong tone for what comes next in Star Wars lore. Plus, while each of the prior Star Wars movies had a definite ending, The Force Awakens finishes with an excellent and emotional cliffhanger that will leave fans, casual and hardcore alike, breathless for Episode VIII.
There are visually spectacular dogfights between X-wings and TIE Fighters set to John Williams’ sparkling score another overarching bad guy who uses holograms, Supreme Leader Snoke (played via motion capture by Andy Serkis), a nasty figure along the lines of the late Emperor and Starkiller Base, which makes the Death Star look like a Fisher-Price My First Space Battle Station.Ībrams comes close to overdoing it with the nostalgia but pulls back by focusing on Finn’s tale or Lupita Nyong’o’s motion capture role of Maz Kanata, an alien pirate and old friend of Han’s whose castle is important for Rey’s journey. The Force Awakens leans heavily into shades of Star Wars past and isn't shy about that in the least. 'Star Wars' premiere: Droids, wookiees and Han Solo
Gone is the clunky dialogue of the prequels - instead, it’s replaced by some seriously clever writing that often leads to nice little moments, many with Han and Finn. The aging Solo has much more gravitas but still has a way with one-liners, courtesy of Abrams and Lawrence Kasdan’s script. While Abrams uses many of the legacy players sparingly, and thankfully never lets them overshadow the newcomers, he gives Ford time to shine and really do something neat with a man who has reverted to his smuggler days. Just as good is Driver, who’s a different and more petulant take on the Vader villain template but finds a way to be even more menacing when he takes off his dented mask. Audiences will miss him when he’s not around. Isaac is fantastic as flyboy Poe, who has a swagger reminiscent of Ford from the original films. While everybody is looking for Luke - the First Order wants to kill him, and the rebellious Resistance just wants to bring him home - three new heroes enter the fray. The group's attack legions are headed up by psychotic General Hux (Domhnall Gleeson) and Kylo Ren (Adam Driver), a lightsaber-wielding hothead who makes it his mission to finish what Darth Vader started and wipe out all the Jedi. Luke has gone missing, and his absence has let the First Order grow its power across the galaxy. Abrams: �History repeats itself� in new �Star Wars� And with the First Order, a genocidal outfit that’s risen from the ashes of the Empire, there’s a military force that might even be worse than its predecessor. The last three decades have not been kind to Han Solo (Harrison Ford), Luke Skywalker (Mark Hamill) and Princess - now General - Leia Organa (Carrie Fisher). The galaxy far, far away has taken a downturn since the Galactic Empire was defeated. Abrams’ Star Wars: The Force Awakens (**** out of four rated PG-13 in theaters Friday, with preview screenings Thursday night) returns the iconic sci-fi franchise to a glorious place that hasn’t been seen since Ewoks danced off into victory in Return of the Jedi 32 years ago. Set aside worries about the second coming of The Phantom Menace. With a cast of entertaining new characters, heartfelt scenes, huge planetary battles and no qualms about being very funny or very dark at times, director J.J.
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